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2014
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August
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- Plot Summary of Edgar Allan Poe's "The Masque of t...
- Summary of H.G. Wells "The Time Machine"
- Summary of Edgar Allan Poe's "The Raven"
- Full Text of Classic Literature - Poetry and Drama...
- Full Text of Classic Literature - Poetry and Drama...
- Full Text of Classic Literature - Poetry and Drama...
- Full Text of Classic Literature - Poetry and Drama...
- Full Text of Classic Literature - Poetry and Drama...
- Full Text of Classic Literature - Novels - Charlot...
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August
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Friday, November 7, 2014
Monday, November 3, 2014
Wednesday, October 22, 2014
Examining Advertisement Networks - Kontera
Kontera
Kontera is primarily an In-Text or In-Line advertising platform. They have been around for over ten years and maintain an extremely large amount of advertising clientele. They have a high payout but are not available to new sites with few page views.
Kontera is primarily an In-Text or In-Line advertising platform. They have been around for over ten years and maintain an extremely large amount of advertising clientele. They have a high payout but are not available to new sites with few page views.
1) Initial Release Year - 2003
2) Publisher Requirements - Very large number of daily/monthly page views
3) Revenue Type - Cost-Per-Thousand-Impressions (CPM), Click through Rate (Ctr)
4) Ad Types - In-Text, In-Line
5) Payout Threshold - $50
6) Payment Options - Paypal, Check and Wire
Advertisement Networks Main Page
News About Kontera
13 November 2014 - SingTel reports 19.3% rise in second quarter profit; revenue, EBITDA climb too by Telegeography
22 October 2014 - Carmel Ventures Raises $194 Million, Invested in Olmert’s Son’s PlayBuzz by Globes
16 September 2014 - Amobee Completes Acquisitions of Adconion Direct and Kontera to Offer Cross Channel Digital Marketing Technology Platform and Solutions by Broadwayworld.com
News About Kontera
13 November 2014 - SingTel reports 19.3% rise in second quarter profit; revenue, EBITDA climb too by Telegeography
22 October 2014 - Carmel Ventures Raises $194 Million, Invested in Olmert’s Son’s PlayBuzz by Globes
16 September 2014 - Amobee Completes Acquisitions of Adconion Direct and Kontera to Offer Cross Channel Digital Marketing Technology Platform and Solutions by Broadwayworld.com
Thursday, October 9, 2014
Full Text of Classic Non Fiction Works - List of All Works
List of all Authors of Full Text - Non Fiction
Sun Tzu
Sun Tzu
Thursday, September 11, 2014
Plot Summary of Jerome K Jerome's "Three Men in a Boat"
The novel “Three Men in a Boat”, is the story of three men, accompanied by a dog, as they travel in a boat down the River Thames. It was written by Jerome Klapka Jerome and was first published in 1889.
The story begins as the three main characters George, William Samuel Harris and J, the narrator are sitting a room discussing what should be done to alleviate themselves of their supposed illnesses. Accompanying them is Montmorency, the narrator’s dog. George and Harris feel they are ill because they are bored. The narrator however is assured that his liver is failing him because he recently read of the symptoms of liver disease. They felt over-worked and began discussing how they should travel on a boat for a week to calm their nerves.
Before their departure, they must first agree on the details. It is decided that on clear nights they will camp outside in tents but in rainy weather they will find lodging. With that part of the plan agreed upon difficulties now arise as they begin to list the items that they will need to bring along. After some arguing they instead begin to list the things that they won’t need.
Next they turn their attention to listing food and cooking materials. Above all else they declare that paraffin oil must not be taken as they had done so in the past. By the end of that trip they couldn’t rid themselves of its smell. The group held similar thoughts against bringing any cheese along. J narrates a story where he once traveled with some cheese and its smell bothered other travelers and even sent a horse running in fear.
The next day they gathered everything on their lists and begin to pack. To be sure that he had taken his tooth brush, J searches the bags only to find it after unpacking everything. He now has to repack all of the supplies a second time. After breaking many of the supplies they were finally done.
On the morning of their departure they oversleep. Over breakfast they reviewed the weather report but declare it must be wrong because the report seemed to recall yesterday’s weather. “It is bad enough when it comes without our having the misery of knowing about it before hand.”
Stacking all of the bags outside they wait for a cab to bring them to the train station. A large crowd forms to cheer their departure as it is believed it is a wedding or funeral. At the train station no one seems to know which train runs from Waterloo to Kingston. They pay an engine driver to make sure he goes to Kingston as no one will notice if it is the wrong stop for that particular train. The engine driver agrees and they are eventually able to board their boat.
Without George who will be picked up later in the day from work, J, Harris and Montmorency set sail. J becomes engaged at watching the English country side and day dreams about events that have happened there in the past. He forgets that he is steering the boat and they crash into the river bank. The group again begins moving up the river once again. As they arrive at Hampton Court J admires its walls. He narrates an episode of Harris getting lost in the palace’s maze and they plan to have George enter it when they return.
Dress was an important part of boating. J warns that the clothes should complement the wearer but still be suitable for a boat ride. Harris wants to stop to visit a cemetery as he enjoys viewing interesting tombstones. J dislikes this pastime and argues that they needed to pick up George from his job at the bank and so they continue on. Angrily looking for a drink, Harris causes them to crash once again.
At Weybridge, they pick up George who is carrying a new banjo. He is immediately put to work on the towline where we are introduced to the difficulties that exist when towing a line. If the person doing the towing doesn’t pay mind, they may lose the boat all together. J provides us with several examples of misadventures that began because of an unmindful tower. As the day draws to a close, the group decides to stop and sleep in the boat.
The following day they continue on their trip up the river. J and George recall the first time that they all took this trip. They searched one particular town looking for a place to sleep but couldn’t find one. Finally finding a room in a small cottage they were able to share a child’s bed. That experience made them less picky in choosing their lodgings.
After a second day, exhaustion had stolen their desire to rest among a picturesque setting so they simply fastened the boat to a tree. Before supper they undertook to cover the boat with a canvas. This results in George and Harris becoming entangled beneath it in a struggle for freedom. They finally finish setting up the boat and begin their supper. All four are famished and all eat well. J remarks how food can alter one’s overall feeling. They all feel full and happy. They are so happy with their own company that they contemplate going off to live together on an island alone.
“People who have tried it, tell me that a clear conscience makes you very happy and contented; but a full stomach does the business quite as well, and is cheaper, and more easily obtained. One feels so forgiving and generous after a substantial and well-digested meal- so noble minded, so kindly-hearted.”
The group all wake very early. They had determined to take a morning swim the evening before but the cold morning changes everyone’s mind. J however decides to crawl out on a tree branch and splash some of the water on himself but the branch brakes and he falls into the Thames. No one else is willing to join him.
For breakfast Harris attempts to make his famous scrambled eggs but ends up spilling some and burning the rest. J again thinks about the surroundings and the historic events that had once happened on the scenic river. He envisions the signing of England’s Magna Carta and how the hills, banks and even the river must have looked similar to how they looked to him then. When they reach Marlow, they leave the boat near a bridge and get a room for the night. It is a small town surrounded by lovely country. The following morning they again wake very early. Montmorency meets a cat and causes a ruckus of himself. This fearless Tom Cat meets his challenge undisturbed and sent Montmorency retreating with his tail tucked between his legs.
With his return, the group was able to shop at the market place for food to replenish the boat. At each shop they request that the delivery boy follow them back to the boat with their packages in hand. Their trip back entails an entire procession of delivery boys carrying packages through the town. They continued on their trip up the river, stopping only for lunch. Following their meal, a good wind carries them further still, up past Wargrave to Sonning. They end the day by making an Irish stew.
When they rise the next day it was decided that they should row instead of towing. They couldn’t however decide which two men should row while the third steered. All claimed to have done the most work during their brief trip up the Thames. Luckily later in the day they get pulled up the river by a steam boat until they reach Reading. In the water they witness a black shape floating toward them and find the body of a dead woman. It is found out that she had left her baby behind and committed suicide in the river.
They next stopped at Streatley where they stay for two days. While there they paid to have their clothes washed. Originally trying to wash them in the river they found that they became dirtier from the water. During the last leg of their trip was the most difficult. The final mile before reaching Oxford the current makes navigating nearly impossible. They spend two more days here where Montmorency spends his time fighting other dogs.
Throughout this trip, the narrator J provides stories for the reader about historic events and individuals that have occupied these same waters and surrounding lands. The group continuously runs into episodes that create drama along the whole of their trip. Originally meant to be a travel guide for boating up the River Thames, this novel has lasted as a comedy about the hilarious misadventures of this troublesome group of three men plus one dog in a boat.
The story begins as the three main characters George, William Samuel Harris and J, the narrator are sitting a room discussing what should be done to alleviate themselves of their supposed illnesses. Accompanying them is Montmorency, the narrator’s dog. George and Harris feel they are ill because they are bored. The narrator however is assured that his liver is failing him because he recently read of the symptoms of liver disease. They felt over-worked and began discussing how they should travel on a boat for a week to calm their nerves.
Before their departure, they must first agree on the details. It is decided that on clear nights they will camp outside in tents but in rainy weather they will find lodging. With that part of the plan agreed upon difficulties now arise as they begin to list the items that they will need to bring along. After some arguing they instead begin to list the things that they won’t need.
Next they turn their attention to listing food and cooking materials. Above all else they declare that paraffin oil must not be taken as they had done so in the past. By the end of that trip they couldn’t rid themselves of its smell. The group held similar thoughts against bringing any cheese along. J narrates a story where he once traveled with some cheese and its smell bothered other travelers and even sent a horse running in fear.
The next day they gathered everything on their lists and begin to pack. To be sure that he had taken his tooth brush, J searches the bags only to find it after unpacking everything. He now has to repack all of the supplies a second time. After breaking many of the supplies they were finally done.
On the morning of their departure they oversleep. Over breakfast they reviewed the weather report but declare it must be wrong because the report seemed to recall yesterday’s weather. “It is bad enough when it comes without our having the misery of knowing about it before hand.”
Stacking all of the bags outside they wait for a cab to bring them to the train station. A large crowd forms to cheer their departure as it is believed it is a wedding or funeral. At the train station no one seems to know which train runs from Waterloo to Kingston. They pay an engine driver to make sure he goes to Kingston as no one will notice if it is the wrong stop for that particular train. The engine driver agrees and they are eventually able to board their boat.
Without George who will be picked up later in the day from work, J, Harris and Montmorency set sail. J becomes engaged at watching the English country side and day dreams about events that have happened there in the past. He forgets that he is steering the boat and they crash into the river bank. The group again begins moving up the river once again. As they arrive at Hampton Court J admires its walls. He narrates an episode of Harris getting lost in the palace’s maze and they plan to have George enter it when they return.
Dress was an important part of boating. J warns that the clothes should complement the wearer but still be suitable for a boat ride. Harris wants to stop to visit a cemetery as he enjoys viewing interesting tombstones. J dislikes this pastime and argues that they needed to pick up George from his job at the bank and so they continue on. Angrily looking for a drink, Harris causes them to crash once again.
At Weybridge, they pick up George who is carrying a new banjo. He is immediately put to work on the towline where we are introduced to the difficulties that exist when towing a line. If the person doing the towing doesn’t pay mind, they may lose the boat all together. J provides us with several examples of misadventures that began because of an unmindful tower. As the day draws to a close, the group decides to stop and sleep in the boat.
The following day they continue on their trip up the river. J and George recall the first time that they all took this trip. They searched one particular town looking for a place to sleep but couldn’t find one. Finally finding a room in a small cottage they were able to share a child’s bed. That experience made them less picky in choosing their lodgings.
After a second day, exhaustion had stolen their desire to rest among a picturesque setting so they simply fastened the boat to a tree. Before supper they undertook to cover the boat with a canvas. This results in George and Harris becoming entangled beneath it in a struggle for freedom. They finally finish setting up the boat and begin their supper. All four are famished and all eat well. J remarks how food can alter one’s overall feeling. They all feel full and happy. They are so happy with their own company that they contemplate going off to live together on an island alone.
“People who have tried it, tell me that a clear conscience makes you very happy and contented; but a full stomach does the business quite as well, and is cheaper, and more easily obtained. One feels so forgiving and generous after a substantial and well-digested meal- so noble minded, so kindly-hearted.”
The group all wake very early. They had determined to take a morning swim the evening before but the cold morning changes everyone’s mind. J however decides to crawl out on a tree branch and splash some of the water on himself but the branch brakes and he falls into the Thames. No one else is willing to join him.
For breakfast Harris attempts to make his famous scrambled eggs but ends up spilling some and burning the rest. J again thinks about the surroundings and the historic events that had once happened on the scenic river. He envisions the signing of England’s Magna Carta and how the hills, banks and even the river must have looked similar to how they looked to him then. When they reach Marlow, they leave the boat near a bridge and get a room for the night. It is a small town surrounded by lovely country. The following morning they again wake very early. Montmorency meets a cat and causes a ruckus of himself. This fearless Tom Cat meets his challenge undisturbed and sent Montmorency retreating with his tail tucked between his legs.
With his return, the group was able to shop at the market place for food to replenish the boat. At each shop they request that the delivery boy follow them back to the boat with their packages in hand. Their trip back entails an entire procession of delivery boys carrying packages through the town. They continued on their trip up the river, stopping only for lunch. Following their meal, a good wind carries them further still, up past Wargrave to Sonning. They end the day by making an Irish stew.
When they rise the next day it was decided that they should row instead of towing. They couldn’t however decide which two men should row while the third steered. All claimed to have done the most work during their brief trip up the Thames. Luckily later in the day they get pulled up the river by a steam boat until they reach Reading. In the water they witness a black shape floating toward them and find the body of a dead woman. It is found out that she had left her baby behind and committed suicide in the river.
They next stopped at Streatley where they stay for two days. While there they paid to have their clothes washed. Originally trying to wash them in the river they found that they became dirtier from the water. During the last leg of their trip was the most difficult. The final mile before reaching Oxford the current makes navigating nearly impossible. They spend two more days here where Montmorency spends his time fighting other dogs.
Throughout this trip, the narrator J provides stories for the reader about historic events and individuals that have occupied these same waters and surrounding lands. The group continuously runs into episodes that create drama along the whole of their trip. Originally meant to be a travel guide for boating up the River Thames, this novel has lasted as a comedy about the hilarious misadventures of this troublesome group of three men plus one dog in a boat.
Sunday, August 24, 2014
Plot Summary of Edgar Allan Poe's "The Masque of the Red Death"
Edgar Allan Poe’s “The Masque of the Red Death” was first published in 1842. It is the tall of an eccentric Prince who tries to secure his and other upper class citizens’ safety of a plague devastating his country’s populace.
The short story begins by detailing, in the most Edgar Allan Poe style, the severity of the disease they call, “The Red Death”. The symptoms are a sign to others to stay way as the disease will very shortly kill the carrier, painfully. “The scarlet stains upon the body and especially upon the face of the victim were the pest ban which shut him out from the aid and from the sympathy of his fellow men. And the whole seizure, progress and termination of the disease, were the incidents of half an hour.”
This disease however seemed an affliction to the poor. As many suffer, the Prince Prospero invites society’s upper class to a great castle where they can be secured by gates of iron. No one would be able to enter or leave. Here they intended to keep from becoming sick themselves. The Prince made sure that they had plenty of food, wine and even entertainment available, so that they could wait out the passing of the disease beyond their gates. For months “The Red Death” continued to infect and kill many outside of the castle.
The Prince decides to hold a masked ball. He had very unique tastes, as the castle was build and decorated to his exact design. Even the masks worn by the guests were of his decision. The ball was held within seven connected apartments. Each apartment was similarly decorated. Each was a specific unique color from floor to ceiling, including all decorations. They were lighted by large torches which were positioned outside of stained glass windows. The color of each room’s window matched the unique color of that specific room. There was one exception to this rule; in the seventh room the walls and décor were black velvet but the stained glass was red. “There flows a ruddier light through the blood-colored panes; and blackness of the sable drapery appalls.” The effect caused many guests to occupy only the first six rooms and avoid the seventh.
Against the far wall of this seventh room there was a large black clock. Each hour as the minute hand reached the twelve, the clack’s chimes rang out. Their melody was so extremely odd that on the top of every hour the entire party came to a stop and waited for the clock to finish. The sound brought on nervousness throughout the guests.
At the stroke of midnight, the chimes sounded their longest tone and with it the ball again paused. During this long pause, guest became aware of a presence of one they hadn’t noticed earlier. The costume and mask of this one guest astonished everyone into fear and terror. It resembled one who was forsaken by the Red Death. “His vesture was dabbled in blood- and his broad brow, with all the features of the face was besprinkled with the scarlet horror.”
When the Prince first lays eyes upon this, he becomes overcome with anger. He demands that the mask be removed and he who wears it to be punished. The mask of the Red Death passed by him and continues on, moving through each room. While all others were struck with fear, the Prince himself runs after this figure with a dagger in hand. As he nears the figure stops and turns to face the Prince. With a scream, the Prince drops to the floor, dead. The other guests run to seize the retreating figure and catch him under the shadow of the black clock. However they find no one hidden under the costume or mask of death. They become aware that the Red Death is among them and it kills them one by one until they have all perished.
The short story begins by detailing, in the most Edgar Allan Poe style, the severity of the disease they call, “The Red Death”. The symptoms are a sign to others to stay way as the disease will very shortly kill the carrier, painfully. “The scarlet stains upon the body and especially upon the face of the victim were the pest ban which shut him out from the aid and from the sympathy of his fellow men. And the whole seizure, progress and termination of the disease, were the incidents of half an hour.”
This disease however seemed an affliction to the poor. As many suffer, the Prince Prospero invites society’s upper class to a great castle where they can be secured by gates of iron. No one would be able to enter or leave. Here they intended to keep from becoming sick themselves. The Prince made sure that they had plenty of food, wine and even entertainment available, so that they could wait out the passing of the disease beyond their gates. For months “The Red Death” continued to infect and kill many outside of the castle.
The Prince decides to hold a masked ball. He had very unique tastes, as the castle was build and decorated to his exact design. Even the masks worn by the guests were of his decision. The ball was held within seven connected apartments. Each apartment was similarly decorated. Each was a specific unique color from floor to ceiling, including all decorations. They were lighted by large torches which were positioned outside of stained glass windows. The color of each room’s window matched the unique color of that specific room. There was one exception to this rule; in the seventh room the walls and décor were black velvet but the stained glass was red. “There flows a ruddier light through the blood-colored panes; and blackness of the sable drapery appalls.” The effect caused many guests to occupy only the first six rooms and avoid the seventh.
Against the far wall of this seventh room there was a large black clock. Each hour as the minute hand reached the twelve, the clack’s chimes rang out. Their melody was so extremely odd that on the top of every hour the entire party came to a stop and waited for the clock to finish. The sound brought on nervousness throughout the guests.
At the stroke of midnight, the chimes sounded their longest tone and with it the ball again paused. During this long pause, guest became aware of a presence of one they hadn’t noticed earlier. The costume and mask of this one guest astonished everyone into fear and terror. It resembled one who was forsaken by the Red Death. “His vesture was dabbled in blood- and his broad brow, with all the features of the face was besprinkled with the scarlet horror.”
When the Prince first lays eyes upon this, he becomes overcome with anger. He demands that the mask be removed and he who wears it to be punished. The mask of the Red Death passed by him and continues on, moving through each room. While all others were struck with fear, the Prince himself runs after this figure with a dagger in hand. As he nears the figure stops and turns to face the Prince. With a scream, the Prince drops to the floor, dead. The other guests run to seize the retreating figure and catch him under the shadow of the black clock. However they find no one hidden under the costume or mask of death. They become aware that the Red Death is among them and it kills them one by one until they have all perished.
Thursday, August 21, 2014
Summary of H.G. Wells "The Time Machine"
“The Time Machine” was written by H.G. Wells and was first published in 1895. It is one of the earliest stories to involve time travel and has been the influence to many works within this genre. This story begins with “The Time Traveler” speaking of the geography of the fourth dimension to a group of quests, which includes the narrator. He explains to this assembled group that time is the fourth dimension and should be treated much the same as the first three which are length, breadth and thickness. In fact he says, “Since we can move freely in the first three dimensions then free movement in time should also be possible”.
This discussion turns from theory to reality when The Time Traveler brings form his laboratory a clock-sized device for all to see. This device was framed in brass and encased ivory and a clear crystalline substance. Taking one of his guests, a psychologist by the hand, The Time Traveler guides his finger to move a lever on the tiny time machine. “There was a breath of wind, and the lamp flame jumped. One of the candles on the mantel was blown out, and the little machine suddenly swung round, became indistinct, was seen as a ghost for a second perhaps, as an eddy of faintly glittering brass and ivory; and it was gone – vanished!” Following this demonstration and adding to their astonishment, The Time Traveler presented them with a full size time machine that was nearly complete.
A week later several men rejoin The Time Traveler for dinner. The Time Traveler arrives at this gathering late, after the others had begun their meal. When he arrives his clothes are torn and covered in dirt. He is bruised and walks with obvious discomfort. He is looked upon by the others with curiosity, but refuses to answer any questions until he has been given time to finish a proper meal and have a few glasses of wine. After eating his fill, he pulls forth a cigar and asks his guests to move to the smoking room where he will describe in full his adventures of time travel.
With his audience now gathered in the smoking-room, The Time Traveler tells his story. Beginning with describing his having one hand upon the forward level and one hand on the stop lever of his machine, he advanced into the future. At first he sees figures move throughout his laboratory that are oblivious to his presence. Steadily the machine gains speed in time. Days and nights go by quicker and quicker until they reach a point where the sun and moon are constant paths of light, stretched across the sky. He sees the landscape altered around himself. Buildings rise and fall, even his laboratory disappears from the landscape. The Time Traveler suddenly has an urge to stop but worries that he and the machine will collide at an atomic level with whatever physical item occupies the same space in this future time. He is cautious of their molecules trying to occupy the same space at the same time which could cause a possible explosion.
The Time Traveler pulled the second lever to stop the machine. He stopped in the year 802,701 where he stays for the next eight days. His travel through time stopped with a crash. The machine had overturned. As he surveyed his surroundings he noticed several men running toward him. He describes one of them as being a slight creature- perhaps four feet high- clad in a purple tunic, girdled at the waist with a leather belt. Sandals or buskins- I could not clearly distinguish which- were on his feet; his legs were bare to the knees, and his head was bare.”
These fragile people that gathered around him were cheerful and childlike. Their language was high pitched and songlike. They danced around and showered him with flowers. They showed ‘The Time Traveler’ to a huge building where they lived. He witnessed a land filled with exotic fruits and flowers of massive proportions in a time where no weed or fungus ever again grew. Most notable was the worn condition of this great hall where hundreds had gathered to feast on fruits. These future peoples were all vegetarians as most types of large animals had been extinct and meat eaters could not exist.
The Time Traveler attempts to learn the language but finds that these futuristic people have little patients to teach him. In the town he notices the lack of individualized homes and theorizes that it was the lack of a struggle of survival that had altered these people. They lacked an existence of any need to work, create or learn. “I thought of the physical slightness of the people, their lack of intelligence, and those big abundant ruins, and it strengthened my belief in a perfect conquest of Nature.” Populations were not diminished by war, disease or hunger. Fruit was plentiful and even weeds and fungus no longer grew to inhibit crop growth.
After having explored the surrounding area, The Time Traveler returns to find his machine is missing. He wears himself out searching for it and demands information from these childlike people. Near the place where it first landed he examines a large sphinx made of white stone atop a large bronze base. He realizes that his machine could have been hidden in this hollow base but can’t find a way in. Upon further exploration he sees tall pillars that are giving off a warm exhaust, but there use he can’t understand. In other areas he finds covered wells that seem to not hold any water, but sound of engines.
During these days of exploration he saves the life of a drowning girl named Weena. Weena follows him everywhere even sleeping against his arm at night. It is through her that The Time Traveler begins to notice other peculiar behavior of these people. He notices that none of them are old and they seem to have a childish fear of the dark. He is still unable to understand most of their language and they haven’t been helpful in giving any clues toward finding his missing time machine.
Wondering outside one dawn he sees other creatures running among the shadows of a forest. During an exploration of the ruins of an unused building he sees one of these creatures hidden in the dark shadows. The white skinned creature escapes by climbing down one of the wells. This creates a new theory in his mind. He now believes the human species has divided into two types of beings. Those that existed above ground, who were known as Eloi. They were the descendants of wealthy land owners. Those that created a society underground were known as Morlocks. These, The Time Traveler believed were the poor of past human society. Centuries of living work-free lives above ground has caused Eloi to shrink in height, strength and intelligence. Living in the dark underground has had an opposite effect on the Morlocks. Their eyes are large, reflective and extremely sensitive to light. Their skin lacks any color and is a pure white.
The Time Traveler ventures down one of the wells. At the bottom of the 200 foot decent he enters a large cavern. In the center is a table of food surrounded by the strong smell of blood. All around, hiding in the shadows, the creatures wait for his torch to run out. In the dark they chase him, trying to keep him in their underground world. Using the light from his last remaining matches, The Time Traveler escapes back into the sunlight, above ground.
The Time Traveler realizes that his theory is still a little flawed. The meat that he saw, which they were eating underground must have been the body of an Eloi, as there weren’t any other large animals that could have supplied them with such meat. Fearing the darkness during the coming new moon he takes Weena to search for weapons and a secure location. They walk many miles to a structure that he describes as a Palace of Green Porcelain. This structure turns out to be the ruins of a museum. He finds an iron mace, matches and a jar of camphor.
The Time Traveler’s plan is now to use his iron mace to break into the white sphinx’s base and get into his time machine and travel back home. In his rush to return to the statue he travels through a darkened forest at night. To keep the Morlocks back he starts multiple fires. The Morlocks are able to temporarily capture Weena while fighting The Time Traveler. He is saved when the first fire he began races through the forest of dry leaves and branches. Its light completely blinds all of the Morlocks, making them defenseless. Weena is lost to the fires of the forest during their escape.
The final stage to The Time Traveler’s plan is to break into the Bronze base of the Sphinx. However the doors have been left open with the time machine sitting in plain sight inside. As he enters, the doors drop shut and he is once again attacked in the dark by the Morlocks. This time however he is able to reattach the levers he once removed and is transported out of that time period.
In his rush to escape the Morlocks, The Time Traveler pushes ahead into the very distant future. Repeatedly he stops then again advances on, further into time. With each stop the sun fills more of the sky and discontinues setting. It simply remains in the Southeastern sky. The seas fall quiet. Life dissolves and eventually turns from large crab-like monsters to a slimy plant life. In time even these pass away.
At the end The Time Traveler returns to his own time period. Those that he shares his experiences with have trouble believing in any of his story, even if they were entertained. The narrator still remains with a feeling that The Time Traveler’s story may be real. He revisits him only to witness the disappearance of the machine and man. This story is narrated three years later were these events are retold. The Time Traveler has yet to reappear.
This discussion turns from theory to reality when The Time Traveler brings form his laboratory a clock-sized device for all to see. This device was framed in brass and encased ivory and a clear crystalline substance. Taking one of his guests, a psychologist by the hand, The Time Traveler guides his finger to move a lever on the tiny time machine. “There was a breath of wind, and the lamp flame jumped. One of the candles on the mantel was blown out, and the little machine suddenly swung round, became indistinct, was seen as a ghost for a second perhaps, as an eddy of faintly glittering brass and ivory; and it was gone – vanished!” Following this demonstration and adding to their astonishment, The Time Traveler presented them with a full size time machine that was nearly complete.
A week later several men rejoin The Time Traveler for dinner. The Time Traveler arrives at this gathering late, after the others had begun their meal. When he arrives his clothes are torn and covered in dirt. He is bruised and walks with obvious discomfort. He is looked upon by the others with curiosity, but refuses to answer any questions until he has been given time to finish a proper meal and have a few glasses of wine. After eating his fill, he pulls forth a cigar and asks his guests to move to the smoking room where he will describe in full his adventures of time travel.
With his audience now gathered in the smoking-room, The Time Traveler tells his story. Beginning with describing his having one hand upon the forward level and one hand on the stop lever of his machine, he advanced into the future. At first he sees figures move throughout his laboratory that are oblivious to his presence. Steadily the machine gains speed in time. Days and nights go by quicker and quicker until they reach a point where the sun and moon are constant paths of light, stretched across the sky. He sees the landscape altered around himself. Buildings rise and fall, even his laboratory disappears from the landscape. The Time Traveler suddenly has an urge to stop but worries that he and the machine will collide at an atomic level with whatever physical item occupies the same space in this future time. He is cautious of their molecules trying to occupy the same space at the same time which could cause a possible explosion.
The Time Traveler pulled the second lever to stop the machine. He stopped in the year 802,701 where he stays for the next eight days. His travel through time stopped with a crash. The machine had overturned. As he surveyed his surroundings he noticed several men running toward him. He describes one of them as being a slight creature- perhaps four feet high- clad in a purple tunic, girdled at the waist with a leather belt. Sandals or buskins- I could not clearly distinguish which- were on his feet; his legs were bare to the knees, and his head was bare.”
These fragile people that gathered around him were cheerful and childlike. Their language was high pitched and songlike. They danced around and showered him with flowers. They showed ‘The Time Traveler’ to a huge building where they lived. He witnessed a land filled with exotic fruits and flowers of massive proportions in a time where no weed or fungus ever again grew. Most notable was the worn condition of this great hall where hundreds had gathered to feast on fruits. These future peoples were all vegetarians as most types of large animals had been extinct and meat eaters could not exist.
The Time Traveler attempts to learn the language but finds that these futuristic people have little patients to teach him. In the town he notices the lack of individualized homes and theorizes that it was the lack of a struggle of survival that had altered these people. They lacked an existence of any need to work, create or learn. “I thought of the physical slightness of the people, their lack of intelligence, and those big abundant ruins, and it strengthened my belief in a perfect conquest of Nature.” Populations were not diminished by war, disease or hunger. Fruit was plentiful and even weeds and fungus no longer grew to inhibit crop growth.
After having explored the surrounding area, The Time Traveler returns to find his machine is missing. He wears himself out searching for it and demands information from these childlike people. Near the place where it first landed he examines a large sphinx made of white stone atop a large bronze base. He realizes that his machine could have been hidden in this hollow base but can’t find a way in. Upon further exploration he sees tall pillars that are giving off a warm exhaust, but there use he can’t understand. In other areas he finds covered wells that seem to not hold any water, but sound of engines.
During these days of exploration he saves the life of a drowning girl named Weena. Weena follows him everywhere even sleeping against his arm at night. It is through her that The Time Traveler begins to notice other peculiar behavior of these people. He notices that none of them are old and they seem to have a childish fear of the dark. He is still unable to understand most of their language and they haven’t been helpful in giving any clues toward finding his missing time machine.
Wondering outside one dawn he sees other creatures running among the shadows of a forest. During an exploration of the ruins of an unused building he sees one of these creatures hidden in the dark shadows. The white skinned creature escapes by climbing down one of the wells. This creates a new theory in his mind. He now believes the human species has divided into two types of beings. Those that existed above ground, who were known as Eloi. They were the descendants of wealthy land owners. Those that created a society underground were known as Morlocks. These, The Time Traveler believed were the poor of past human society. Centuries of living work-free lives above ground has caused Eloi to shrink in height, strength and intelligence. Living in the dark underground has had an opposite effect on the Morlocks. Their eyes are large, reflective and extremely sensitive to light. Their skin lacks any color and is a pure white.
The Time Traveler ventures down one of the wells. At the bottom of the 200 foot decent he enters a large cavern. In the center is a table of food surrounded by the strong smell of blood. All around, hiding in the shadows, the creatures wait for his torch to run out. In the dark they chase him, trying to keep him in their underground world. Using the light from his last remaining matches, The Time Traveler escapes back into the sunlight, above ground.
The Time Traveler realizes that his theory is still a little flawed. The meat that he saw, which they were eating underground must have been the body of an Eloi, as there weren’t any other large animals that could have supplied them with such meat. Fearing the darkness during the coming new moon he takes Weena to search for weapons and a secure location. They walk many miles to a structure that he describes as a Palace of Green Porcelain. This structure turns out to be the ruins of a museum. He finds an iron mace, matches and a jar of camphor.
The Time Traveler’s plan is now to use his iron mace to break into the white sphinx’s base and get into his time machine and travel back home. In his rush to return to the statue he travels through a darkened forest at night. To keep the Morlocks back he starts multiple fires. The Morlocks are able to temporarily capture Weena while fighting The Time Traveler. He is saved when the first fire he began races through the forest of dry leaves and branches. Its light completely blinds all of the Morlocks, making them defenseless. Weena is lost to the fires of the forest during their escape.
The final stage to The Time Traveler’s plan is to break into the Bronze base of the Sphinx. However the doors have been left open with the time machine sitting in plain sight inside. As he enters, the doors drop shut and he is once again attacked in the dark by the Morlocks. This time however he is able to reattach the levers he once removed and is transported out of that time period.
In his rush to escape the Morlocks, The Time Traveler pushes ahead into the very distant future. Repeatedly he stops then again advances on, further into time. With each stop the sun fills more of the sky and discontinues setting. It simply remains in the Southeastern sky. The seas fall quiet. Life dissolves and eventually turns from large crab-like monsters to a slimy plant life. In time even these pass away.
At the end The Time Traveler returns to his own time period. Those that he shares his experiences with have trouble believing in any of his story, even if they were entertained. The narrator still remains with a feeling that The Time Traveler’s story may be real. He revisits him only to witness the disappearance of the machine and man. This story is narrated three years later were these events are retold. The Time Traveler has yet to reappear.
Wednesday, August 20, 2014
Summary of Edgar Allan Poe's "The Raven"
“The Raven”, one of Edgar Allan Poe’s most famous poems, was first published in 1845. Like many of his works, this poem casts a shadow of loneliness and loss within a dark story. The image of the raven that comes to the main character’s chambers at night changes throughout this poem from one of a saint to that of a devilish spirit who will forever haunt him with thoughts of lost. This bird brings him a reminder of a lost love who he will never be with again, nevermore.
Poe opens his poem with a man sitting alone in his house in the dark on a cold December night. It is near midnight and the fire has begun to die out. This man is depressed and heartbroken, wishing for the night to be over and morning to reappear. His head drops down and nods as sleep slowly overcomes him. He wakes to a tapping which he mistakes to be a late night visitor knocking at his door. “Tis some visiter,” I muttered, “tapping at my chamber door, Only this and nothing more.”
A moment later the curtains rustled, giving him a fright. He stands and goes to answer the door while reassuring himself by repeating that it was only a visitor knocking at the door. As he opens the door he begins apologizing for the wait as he was napping and didn’t hear the knocking at first because it was so soft. But no one was there, only the darkness of night. Confused, he stands in the doorway and listens, but he only finds silence. His mind thinks back to his lost love and he dreams that maybe she has come back to him after death. In a whisper he speaks her name, Lenore. His whisper echoed once and again all is silent.
He goes back inside and closes the door. Again he hears tapping. This time it is louder and coming from the window. Frightened once again he goes to check the window, reassuring himself that it was only the wind knocking. He throws open the window shutters and in flies a raven with its wings flapping. The raven immediately flies above the chamber door and sits upon a statue of a Greek god named Pallas. “In there stepped a stately Raven of the saintly days of yore.”
Looking at the proud behavior and formal color of its black feathers, he smiles to himself. Humored he asks the raven for its name. The raven replies, “Nevermore.” Although the raven’s remark holds little meaning, he marvels at the unique situation to have had this bird fly into his chambers and sit upon the statue above his door and be able to speak such a clear understandable word.
The raven remains motionless upon the statue above the door. The man remarks that much like his hopes the bird would not remain, tomorrow he would fly away. The raven again answers, “Nevermore”. Shocked at the bird’s response, he begins to believe that the raven was once owned by someone who had taught him that one single word. Repeated so often he has lost his ability to sing but can now only say, nevermore. Still, even this thought cheers him up.
Fascinated, he pulls up a violet velvet covered chair and sits in front of the raven. Watching it, he begins to ponder what it could mean when it uttered nevermore. While he sits, reclined and engaged in guessing its true meaning, the raven stares down upon him. Suddenly he feels a presence in the room. There seemed to be a hint of perfume in air. He screamed out at the raven, asking whether God has sent it to help him forget the late Lenore. But the raven only responded, “Nevermore”.
With that response he sees an evil mischief in the raven’s presence. He now screams out "Prophet! Thing of evil! Prophet still, if bird or devil! He begins to believe that the raven is evil and was sent to haunt him. The raven responds, “Nevermore”. Again he yells at the raven, asking if he is a prophet and if so tell him whether in death he will once again be reunited with his lost love, Lenore. The raven simply responds, “Nevermore”.
Upon this response from the raven, the man is fed up with the bird and demands that he fly back into the night. “Be that word our sign of parting, bird or fiend! Get thee back into the tempest and the Night's Plutonian shore!” He wants not even a single feather left behind to remind him of the lie that he has told of the reunion may never occur. The raven simply replies, “Nevermore”.
It sits motionless upon the Greek statue above the door, ignoring the request to leave. Above the raven a light casts its shadow down upon the floor. The raven, representing the memory of Lenore, remains. The man is hidden in its shadow, darkening his soul, Forevermore.
Poe opens his poem with a man sitting alone in his house in the dark on a cold December night. It is near midnight and the fire has begun to die out. This man is depressed and heartbroken, wishing for the night to be over and morning to reappear. His head drops down and nods as sleep slowly overcomes him. He wakes to a tapping which he mistakes to be a late night visitor knocking at his door. “Tis some visiter,” I muttered, “tapping at my chamber door, Only this and nothing more.”
A moment later the curtains rustled, giving him a fright. He stands and goes to answer the door while reassuring himself by repeating that it was only a visitor knocking at the door. As he opens the door he begins apologizing for the wait as he was napping and didn’t hear the knocking at first because it was so soft. But no one was there, only the darkness of night. Confused, he stands in the doorway and listens, but he only finds silence. His mind thinks back to his lost love and he dreams that maybe she has come back to him after death. In a whisper he speaks her name, Lenore. His whisper echoed once and again all is silent.
He goes back inside and closes the door. Again he hears tapping. This time it is louder and coming from the window. Frightened once again he goes to check the window, reassuring himself that it was only the wind knocking. He throws open the window shutters and in flies a raven with its wings flapping. The raven immediately flies above the chamber door and sits upon a statue of a Greek god named Pallas. “In there stepped a stately Raven of the saintly days of yore.”
Looking at the proud behavior and formal color of its black feathers, he smiles to himself. Humored he asks the raven for its name. The raven replies, “Nevermore.” Although the raven’s remark holds little meaning, he marvels at the unique situation to have had this bird fly into his chambers and sit upon the statue above his door and be able to speak such a clear understandable word.
The raven remains motionless upon the statue above the door. The man remarks that much like his hopes the bird would not remain, tomorrow he would fly away. The raven again answers, “Nevermore”. Shocked at the bird’s response, he begins to believe that the raven was once owned by someone who had taught him that one single word. Repeated so often he has lost his ability to sing but can now only say, nevermore. Still, even this thought cheers him up.
Fascinated, he pulls up a violet velvet covered chair and sits in front of the raven. Watching it, he begins to ponder what it could mean when it uttered nevermore. While he sits, reclined and engaged in guessing its true meaning, the raven stares down upon him. Suddenly he feels a presence in the room. There seemed to be a hint of perfume in air. He screamed out at the raven, asking whether God has sent it to help him forget the late Lenore. But the raven only responded, “Nevermore”.
With that response he sees an evil mischief in the raven’s presence. He now screams out "Prophet! Thing of evil! Prophet still, if bird or devil! He begins to believe that the raven is evil and was sent to haunt him. The raven responds, “Nevermore”. Again he yells at the raven, asking if he is a prophet and if so tell him whether in death he will once again be reunited with his lost love, Lenore. The raven simply responds, “Nevermore”.
Upon this response from the raven, the man is fed up with the bird and demands that he fly back into the night. “Be that word our sign of parting, bird or fiend! Get thee back into the tempest and the Night's Plutonian shore!” He wants not even a single feather left behind to remind him of the lie that he has told of the reunion may never occur. The raven simply replies, “Nevermore”.
It sits motionless upon the Greek statue above the door, ignoring the request to leave. Above the raven a light casts its shadow down upon the floor. The raven, representing the memory of Lenore, remains. The man is hidden in its shadow, darkening his soul, Forevermore.
Tuesday, August 5, 2014
Full Text of Classic Literature - Poetry and Dramas - Edgar Allan Poe
Edgar Allan Poe - A Dream
Edgar Allan Poe - A Dream Within A Dream
Edgar Allan Poe - A Paean
Edgar Allan Poe - A Valentine
Edgar Allan Poe - Al Aaraaf
Edgar Allan Poe - Alone
Edgar Allan Poe - An Acrostic
Edgar Allan Poe - An Enigma
Edgar Allan Poe - Annabel Lee
Edgar Allan Poe - Beloved Physician
Edgar Allan Poe - Bridal Ballad
Edgar Allan Poe - Deep In Earth
Edgar Allan Poe - Dreamland
Edgar Allan Poe - Dreams
Edgar Allan Poe - Eldorado
Edgar Allan Poe - Elizabeth
Edgar Allan Poe - Enigma
Edgar Allan Poe - Epigram for Wall Street
Edgar Allan Poe - Eulalie
Edgar Allan Poe - Evening Star
Edgar Allan Poe - Fairyland
Edgar Allan Poe - Fanny
Edgar Allan Poe - For Annie
Edgar Allan Poe - Hymn
Edgar Allan Poe - Hymn to Aristogeiton and Harmodius
Edgar Allan Poe - Imitation
Edgar Allan Poe - Impromptu- To Kate Carol
Edgar Allan Poe - In the Greenest of Our Valleys
Edgar Allan Poe - In Youth I Have Known One
Edgar Allan Poe - Israfel
Edgar Allan Poe - Lenore
Edgar Allan Poe - Lines on Ale
Edgar Allan Poe - Lines on Joe Locke
Edgar Allan Poe - Poetry
Edgar Allan Poe - Romance
Edgar Allan Poe - Sancta Maria
Edgar Allan Poe - Serenade
Edgar Allan Poe - Song
Edgar Allan Poe - Sonnet - Silence
Edgar Allan Poe - Sonnet - To Science
Edgar Allan Poe - Sonnet - To Zante
Edgar Allan Poe - Spirits of the Dead
Edgar Allan Poe - Stanzas
Edgar Allan Poe - Tamerlane
Edgar Allan Poe - The Bells
Edgar Allan Poe - The Bells - A Collaboration
Edgar Allan Poe - The City in the Sea
Edgar Allan Poe - The Coliseum
Edgar Allan Poe - The Conqueror Worm
Edgar Allan Poe - The Divine Rights of Kings
Edgar Allan Poe - The Forest Reverie
Edgar Allan Poe - The Happiest Day
Edgar Allan Poe - The Haunted Palace
Edgar Allan Poe - The Lake
Edgar Allan Poe - The Raven
Edgar Allan Poe - The Sleeper
Edgar Allan Poe - The Valley of Unrest
Edgar Allan Poe - The Village Street
Edgar Allan Poe - To --
Edgar Allan Poe - To -- --
Edgar Allan Poe - To F --
Edgar Allan Poe - To Frances Sargent Osgood
Edgar Allan Poe - To Helen
Edgar Allan Poe - To Helen - 1848
Edgar Allan Poe - To Isaac Lea
Edgar Allan Poe - To Isadore
Edgar Allan Poe - To M --
Edgar Allan Poe - To Margaret
Edgar Allan Poe - To Marie Lousie Shaw
Edgar Allan Poe - To Miss Lousie Olivia Hunter
Edgar Allan Poe - To My Mother
Edgar Allan Poe - To Octavia
Edgar Allan Poe - To One in Paradise
Edgar Allan Poe - To the River --
Edgar Allan Poe - Ulalume
List of all Authors of Full Text - Poetry and Dramas
Full Text of Classic Literature - Poetry and Dramas - Samuel Taylor Coleridge
Samuel Taylor Coleridge - The Rime of the Ancient Mariner
List of all Authors of Full Text - Poetry and Dramas
Full Text of Classic Literature - Poetry and Dramas - Emily Jane Bronte
Emily Jane Bronte - Anticipation
Emily Jane Bronte - The Bluebell
Emily Jane Bronte - Come, Walk With Me
Emily Jane Bronte - A Day Dream
Emily Jane Bronte - Death
Emily Jane Bronte - A Death Scene
Emily Jane Bronte - Honour's Martyr
Emily Jane Bronte - Hope
Emily Jane Bronte - "A Little While, A Little While"
Emily Jane Bronte - A Little While, A Little While
Emily Jane Bronte - Plead For Me
Emily Jane Bronte - The Prisoner
Emily Jane Bronte - The Visionary
List of all Authors of Full Text - Poetry and Dramas
Full Text of Classic Literature - Poetry and Dramas - Dante Alighieri
Dante Alighieri - Divine Commedia - Inferno (The Divine Comedy - Hell)
List of all Authors of Full Text - Poetry and Dramas
List of all Authors of Full Text - Poetry and Dramas
Full Text of Classic Literature - Novels - Charlotte Bronte
Thursday, July 24, 2014
Wednesday, July 23, 2014
Analysis of the Circles of Hell in Dante's Inferno
Analysis of the Circles of Hell in Dante’s Inferno
In Dante’s Inferno, written in the 14th century, Dante Alighieri details his vision of hell as he takes a guided tour through its nine circles. His guide is the famous Greek poet, Virgil. Dante envisions hell to be in the shape of a funnel, created from descending rings. The souls of those who have sinned in life are gathered in specific rings to be punished. The larger, outer rings hold those whose sins were thought to be less severe. As Dante is led deeper into the center of hell, the sinner’s deeds are worse, as are the punishments.
Dante’s Inferno was written as an epic poem and was divided into cantos. From his introduction where he explains that he one day woke in a dark forest at the edge of hell, each canto brings him closer and closer to the center of hell. Along the way Dante’s guide and some of the sinners themselves explain what they have done to have been sentenced to hell.
Before entering into the first circle of hell, Dante sees a large group of suffering souls. These souls are rejected by heaven but also ignored by hell because they never accepted God. They spend eternity chasing a banner and continuously being stung by gadflies and hornets.
First Circle of Hell (Canto IV)
The first river of hell, Acheron must be crossed to enter the first circle of hell. To cross this body of water, Dante and Virgil must take a boat ride with the demon Charon. In this outer most ring, the first circle of hell holds those in Limbo. Souls that are limbo are those that were born before the coming of Jesus Christ or were never baptized. Their punishment is merely the constant ache of being without God’s love. “Lost are we and are only so far punished. That without hope we live on in desire.”
Second Circle of Hell (Canto V)
Before the second circle of hell sinners line up to be judged by the giant beast Minos. Minos wraps his long tail around the sinner as many times as the circle he sends them down to for punishment. “There standeth Minos Horrible, and snarles; Examines the transgressions at the entrance; Judges, and sends according as he girds him.”
Beyond Minos the souls of the second circle of hell are those that are guilty of Lustfulness. These sinners are tossed forever through the sky by hurricane like winds. They will forever be tormented by these winds. “The infernal hurricane that never rests. Hurls the spirits onward in its rapine.
Third Circle of Hell (Canto VI)
Those that were Gluttonous in life are punished in the third circle of hell. These sinners lay in mud. From the sky, a constant rain, hail and snow falls on them. They continually turn over in an attempt to keep at least a small portion of themselves out of the filth. “Howl the rain maketh them like unto dogs; One side they make a shelter for the other; Oft turns themselves the wretched reprobates.”
Fourth Circle of Hell (Canto VII)
In the fourth circle of hell, Dante finds two types of sinners, those that were Avaricious or hoarders and those that were Prodigal or squanderers. These groups are forced to move heavy weights in a circle against each other. “For all the gold that is beneath the moon, Or ever has been, of these weary souls, Could never make a single one repose.”
Fifth Circle of Hell (Canto VII)
Dante and his guide Virgil arrive at the second of Hell’s rivers, the River Styx. The river is the fifth circle of hell as it also contains the souls of two types of sinners. Those that are guilty of Wrathfulness and Sluggishness in live. Those punished for wrath lay in the shallows and on the river bank with angry faces and tear at each other’s flesh. “They smote each other not alone with hands, But with the head and with the breast and feet, Tearing each other piecemeal with their teeth.”
The second group of sinners, those of sluggishness, are unseen as they are hidden below the surface of the swamp. They must repeatedly receipt a hymn as they gurgle the filth of the swamp in their throats. “This hymn do they keep gurgling in their throats, For with unbroken words they cannot say it.”
Sixth Circle of Hell (Cantos IX – XI)
A second boatman, this one named Phlegyas ferries Dante and his guide across the River Styx. On this side of the river they reach a walled city called Dis. With help from heaven they are allowed passage into the city. Beyond the city’s walls they find open tombs. This is the sixth circle of hell.
The souls that are in the sixth circle are heretics. They are eternally burning in open tombs. Dante passes through this circle after first resting to become accustomed to the stench of the burning tombs. “For flames between the sepulchres were scattered, By which they so intensely heated were, That iron more so asks not any art. All of their coverings uplifted were, And from them issued forth such dire laments, Sooth seemed they of the wretched and tormented.”
Seventh Circle of Hell (Cantos XII – XVII)
The seventh circle of hell is for sinners of violence. Before entering this circle Dante and Virgil have a run in with the Minotaur. Minotaur is a man-bull beast who is the guardian of the violent. The circle itself is divided into three rings. The first ring of the seventh circle is for those that have committed violence against others, such as murder. The second ring is for those having committed violence against themselves, such as a suicide. The final ring of the seventh circle of hell is for those who committed violence against God, such as blasphemy.
Ring 1: (Canto XII) After passing the Minotaur they come to a third river. Named Phlegethon, this is a boiling river of blood. The depth of the river varies at different points. The boiling river is the first ring of the seventh circle and those souls who have committed violence against their neighbor are in the water. Some are only submerged up to their ankles because of the nature of their sin, while others are completely unseen below the surface. “But fix thine eyes below; for draweth near, The river of Blood, within which boiling is Whoe’er by violence doth injure others.”
Ring 2: (Canto XIII – XIV) Dante receives assistance crossing the River of Phlegethon by a Centaur, halfman-halfhorse creature, who guides him to its lowest point. At this point, Dante and Virgil enter a forest of strange trees. The trees are oddly shaped and have black leaves and poisonous briers. Virgil tells Dante to break a branch off of a tree. When he does, it bleeds and the tree yells in pain.
The souls trapped in this second ring of the seventh circle of hell grow out of seeds into large trees. There punishment is for the sin of being violent upon themselves, for committing suicide. For this crime against their own bodies, they are denied their human forms and must take on that of a fragile tree, forever tormented by winged creatures called Harpies.
“When the exasperated soul abandons, The body whence it rent itself away, Minos consigns it to the seventh abyss. I falls into the forest, and not part, Is chosen for it; but where Fortune hurls it, There like a grain of spelt it germinates. I springs a sapling, and a forest tree; The Harpies, feeding then upon its leaves, Do pain create, and for the pain an outlet.”
Ring 3: (Cantos XIV – XVI) At the inner edge of the forest Dante comes to desert land where no plants live. For the sinner that have done violence toward God or committed blasphemy, they are punished in this third ring of the seventh circle of hell. The sand is burning and from the sky, flames constantly fall, setting the ground alight. The souls here are forced into specific position based on their sin. They keep patting at the burning ground to put out fires wherever they take hold. “O’er all the sand-waste, with a gradual fall, Were raining down dilated flakes of fire, As of the snow on Alp without a wind.”
Dante and Virgil follow a red stream of the River Phlegethon to the edge of the seventh circle of hell. This circle ends in a huge waterfall. Before departing the seventh circle of hell, Virgil explains the origins of the four rivers of hell, Acheron, Styx, Phlegethon and Cocytus. He tells him that there exists a huge statue made of various metals and clay. This statue contains cracks all around it where its tears seep to the earth. These tears are what form all of the rivers in hell.
To travel to the bottom of the waterfall, Virgil convinces a winged monster who emerged from the water. The two ride on the creature’s back as it glides down to the eighth circle of hell. The creature, Geryon, is the personification of fraud. He has the head of man, a snake’s body and a scorpion’s tail, used to infect the world. Dante rides in front so Virgil can protect him from the creatures poison tipped tail.
Eighth Circle of Hell (Cantos XVIII – XXXI)
As Dante glides down from the seventh circle of hell on the back of Geryon, he describes the eight circle of hell from his bird’s eye view. The eighth circle is called Malebolge. It is made up of ten individual valleys, all surrounded by a wall of stone and each connected by bridges. Within each of these valleys, which Dante calls Bolgias, sinners are punished depending on their sins.
Bolgia 1: (Canto XVIII) In the first bolgia of the eighth circle of hell, souls are punished for being panderers. They are naked, marching in a line while being whipped by horned demons. On the other side of a dividing stone, souls are like wise beaten as they walk in the opposite direction. These sinners are seducers. The panderers and seducers share this first bolgia of the eighth circle of hell. “This side and that, along the livid stone, Behold I horned demons with great scourges, Who cruelly were beating them behind.”
Bolgia 2: (Canto XVIII) In the second bolgia Dante hears snorting and moaning. He looks down into this bolgia and sees flatterers, smothered in human waste. They are scratching with filth covered nails and hitting themselves. “Thence we heard people, who are making moan, In the next Bolgia, snorting with their muzzles, And with their palms beating upon themselves.”
Bolgia 3: (Canto XIX) In the third Bolgia of the eighth circle, Dante finds souls buried upside down, with only their legs and feet protruding out of the ground. They are in holes that were similar in size and shape to that of baptismal bowls. Their legs are on fire. This punishment is for the simonists or those who stole from or took bribes from their parishioners and crooked religious leaders. These sinners are stacked upside down vertically on top of each other, as spikes in the ground. The newer souls push the older deeper beneath the surface. “For silver and for gold do prostitute, Now it behoves for you the trumpet sound, Because in this third Bolgia ye abide.”
Bolgia 4: (Canto XX) Astrologers, fortune-tellers, magicians and illusionist are punished in the fourth Bolgia. They all have their heads twisted around, forever taking away their ability to see in front of them. They cry as they march slowly backwards. “
Bolgia 5: (Canto XXI - XXII) The fifth Bolgia is extremely dark. The sinners held here are barrators, or crooked politicians. They are tormented by black, winged demons. These demons catch and throw them into a boiling pitch. As sinners break the surface the demons poke at them with hooks and rakes, driving them back into the boiling substance as if cooking them. “Not otherwise the cooks their scullions make, Immerse into the middle of the caldron, The meat with hooks, so that it may not float.”
Bolgia 6: (Canto XXIII) Dante and Virgil depart from the demons of the fifth Bolgia by sliding down a bank into the sixth Bolgia. The demons are not allowed to leave their realm in the fifth, which allows the pair to get away.
They are confronted with the next group of sinners. These sinners are walking in a line very slowly as exhaustion has overcome them. They are all wearing a hooded cloak that is shiny and gilded on the outside. These orange cloaks were made of heavy lead which exhausted the wearer. These sinners are the hypocrites. Those that Dante speaks with are Friars.
The sixth Bolgia of the eighth circle of hell is also home to another sinner. Dante is shocked to see a man crucified to the ground with three spikes. This man convinced the Pharisees to crucify Jesus Christ to appease the Jewish mob. This man lay across the path so that all who pass must travel over him. Others who shared this council are also punished in the same way. “These orange cloaks, Are made of leas so heavy, that the weights, Cause in this way their balances to creak.”
Bolgia 7: (Canto XXIV)The sinners sent to the seventh Bolgia of the eighth circle of hell are thieves. They are all naked and running around. Everywhere there are snakes that attack them. The snakes bound the hands of the sinners and bite at them. When a snake is able to strike a sinner, they burn into a pile of ash. But like the Phoenix, the ash forms back into the sinner’s original form for the snakes to once again attack. When they are reborn from the ashes, they are unaware of what had just happened and are again terrified of their surroundings. “Among this cruel and most dismal throng, People were running naked and affrighted. Without the hope of hold or heliotrope.”
Bolgia 8: (Canto XXVI – XXVII) From a bridge, Dante peers down into the eighth Bolgia of the eighth circle of hell and sees flames moving about. The sinners in this Bolgia are guilty of providing false counsel or fraudulent advice. For their punishment these spirits are burned deep within the flame. “Within the fires the spirits are; Each swathes himself with that wherewith he burns.”
Bolgia 9: (Canto XXVIII) Dante explains that no one has the ability to describe in words, the horror and torment which he found in the ninth Bolgia of the eighth circle of hell. If assembled, all of the dead from many wars combined, would not equal the blood and gore of the punishment met by the sinners in this
Bolgia. Each was cut in varying degrees from head to waist, head to neck or even the punishment of having to carry one’s own decapitated head like a lantern. All of these torments are found here. The sinners that are punished in such a way are disseminators of scandal and discord or caused a split between two groups. These spirits are cut by a Devil and must walk around pouring out their internals and dripping blood. Their wounds eventually heal, at which point the devil cuts them once again. “By the hair it held the head dissevered, Hung from the hand in fashion of a lantern, And that upon us gazed and said: O me!”
Bolgia 10: (Canto XXIX – XXX) Dante can hear the moans and smell the stench of the tenth Bolgia before he can see the tortured spirits that reside there. The smell of infection and pestilence fills the air. Most of the sinners here are weak from sickness. Some lie on their backs or stomachs while others crawl on the road. They tear at their skin trying to scratch the itchy patches of scabs that cover their bodies from disease. These sinners are alchemists and forgers of false metals. Also included among them are counterfeiters of currencies, perjurers and impersonators. Some of these spirits physically attack others because sickness has driven them mad. Others argue with each other as their skin smokes from the heat of their own fevers. All are extremely ill. “Everyone was plying fast the bit, Of nails upon himself, for the great rage, Of itching which no other succour had.”
Ninth Circle of Hell (Cantos XXXI –XXXIV)
In order to leave the eighth circle of hell and reach the depths of the ninth and final circle, Dante and Virgil enlist the help of a giant. From a distance, through darkness and haze, Dante mistakes hundreds of erect standing giants as towers of a city. These giants are trapped waist deep in the next pit of hell. The first that they come across is named Nimrod, who is blamed for the destruction of a single human language. Through his actions, man has been divided by languages and races.
The second giant that they encounter is named Ephialtes. He is chained with arms behind his back as punishment for challenging the gods. They pass these first two giants in their search for Antaeus, a giant who is unbound and can speak. This giant lowers them down into the ninth circle of hell.
At depths well below the feet of the giant, Dante and Virgil come to the fourth and final lake, Cocytus which is frozen to solid ice. This first ring of the ninth circle of hell is called Caina, where the sinners are locked within the ice, up to their necks. These sinners were traitors against their own family. “Livid, as far down as where shame appears, Were the disconsolate shades within the ice, Setting their teeth unto the note of storks.”
“Then I beheld a thousand faces, made Purple with cold; whence o’er me comes a shudder, And evermore will come, at frozen ponds.” They next enter the second ring of the ninth circle called Antenora. The sinners here are similarly punished however they are trapped in the ice in bent over positions. These sinners are guilty of being traitors against their country.
Dante and Virgil move further still, deeper into the center of hell. This third ring of the ninth circle is called Ptolomaea. The further into the ninth circle that they travel, the colder it has gotten. The sinners in this ring are guilty of being traitors against their guests. They are so cold that their tears have formed a visor over their eyes. Some of them have not yet even died. For this sin, their souls are dragged to hell to be punished by a demon who assumes control over their physical body on earth. “Because the earliest tears a cluster form, And, in the manner of a crystal visor, Fill all the cup beneath the eyebrow full.”
At the verge of entering into the fourth ring of the ninth circle of hell, Dante is shielded from a powerful wind by his guide Virgil. From this distance he thinks that he sees a giant windmill in the darkness of this pit of hell. This is Judecca, where the sinners are guilty of being traitors against their benefactors. Below his feet, the sinners in this ring were trapped in many positions, all completely buried beneath the surface of the ice.
As Dante nears the center of hell he can now see that the windmill is actually Lucifer himself. He is so big that he dwarfs even the giants that Dante recently passed. “The Emperor of the kingdom dolorous, From his mid-breast forth issued from the ice; And better with a giant I compare.” Lucifer has three heads, each a different color. Below each mouth there was a pair of giant wings that were cause of the powerful wind. His six eyes were dropping tears which fell to his three mouths, mixing with a bloody drivel. Within each mouth, Lucifer chewed upon a sinner. The sinner being chewed in the center mouth was Judas who betrayed Jesus. The other two sinners where Brutus and Cassius, both guilty of betraying Caesar.
With the tour of hell complete, Dante takes hold of Virgil who climes down the Devil’s body. Virgil descents down below his waist using the long hair that covers Lucifer’s body. At this point he begins to ascend in the opposite direction. He explains to Dante that since the Devil is at the center of the earth, they have moved into the southern hemisphere so they must now change directions in order to leave hell. At the end of this road and back out of hell, Dante beholds a heavenly night sky full of stars.
In Dante’s Inferno, written in the 14th century, Dante Alighieri details his vision of hell as he takes a guided tour through its nine circles. His guide is the famous Greek poet, Virgil. Dante envisions hell to be in the shape of a funnel, created from descending rings. The souls of those who have sinned in life are gathered in specific rings to be punished. The larger, outer rings hold those whose sins were thought to be less severe. As Dante is led deeper into the center of hell, the sinner’s deeds are worse, as are the punishments.
Dante’s Inferno was written as an epic poem and was divided into cantos. From his introduction where he explains that he one day woke in a dark forest at the edge of hell, each canto brings him closer and closer to the center of hell. Along the way Dante’s guide and some of the sinners themselves explain what they have done to have been sentenced to hell.
Before entering into the first circle of hell, Dante sees a large group of suffering souls. These souls are rejected by heaven but also ignored by hell because they never accepted God. They spend eternity chasing a banner and continuously being stung by gadflies and hornets.
First Circle of Hell (Canto IV)
The first river of hell, Acheron must be crossed to enter the first circle of hell. To cross this body of water, Dante and Virgil must take a boat ride with the demon Charon. In this outer most ring, the first circle of hell holds those in Limbo. Souls that are limbo are those that were born before the coming of Jesus Christ or were never baptized. Their punishment is merely the constant ache of being without God’s love. “Lost are we and are only so far punished. That without hope we live on in desire.”
Second Circle of Hell (Canto V)
Before the second circle of hell sinners line up to be judged by the giant beast Minos. Minos wraps his long tail around the sinner as many times as the circle he sends them down to for punishment. “There standeth Minos Horrible, and snarles; Examines the transgressions at the entrance; Judges, and sends according as he girds him.”
Beyond Minos the souls of the second circle of hell are those that are guilty of Lustfulness. These sinners are tossed forever through the sky by hurricane like winds. They will forever be tormented by these winds. “The infernal hurricane that never rests. Hurls the spirits onward in its rapine.
Third Circle of Hell (Canto VI)
Those that were Gluttonous in life are punished in the third circle of hell. These sinners lay in mud. From the sky, a constant rain, hail and snow falls on them. They continually turn over in an attempt to keep at least a small portion of themselves out of the filth. “Howl the rain maketh them like unto dogs; One side they make a shelter for the other; Oft turns themselves the wretched reprobates.”
Fourth Circle of Hell (Canto VII)
In the fourth circle of hell, Dante finds two types of sinners, those that were Avaricious or hoarders and those that were Prodigal or squanderers. These groups are forced to move heavy weights in a circle against each other. “For all the gold that is beneath the moon, Or ever has been, of these weary souls, Could never make a single one repose.”
Fifth Circle of Hell (Canto VII)
Dante and his guide Virgil arrive at the second of Hell’s rivers, the River Styx. The river is the fifth circle of hell as it also contains the souls of two types of sinners. Those that are guilty of Wrathfulness and Sluggishness in live. Those punished for wrath lay in the shallows and on the river bank with angry faces and tear at each other’s flesh. “They smote each other not alone with hands, But with the head and with the breast and feet, Tearing each other piecemeal with their teeth.”
The second group of sinners, those of sluggishness, are unseen as they are hidden below the surface of the swamp. They must repeatedly receipt a hymn as they gurgle the filth of the swamp in their throats. “This hymn do they keep gurgling in their throats, For with unbroken words they cannot say it.”
Sixth Circle of Hell (Cantos IX – XI)
A second boatman, this one named Phlegyas ferries Dante and his guide across the River Styx. On this side of the river they reach a walled city called Dis. With help from heaven they are allowed passage into the city. Beyond the city’s walls they find open tombs. This is the sixth circle of hell.
The souls that are in the sixth circle are heretics. They are eternally burning in open tombs. Dante passes through this circle after first resting to become accustomed to the stench of the burning tombs. “For flames between the sepulchres were scattered, By which they so intensely heated were, That iron more so asks not any art. All of their coverings uplifted were, And from them issued forth such dire laments, Sooth seemed they of the wretched and tormented.”
Seventh Circle of Hell (Cantos XII – XVII)
The seventh circle of hell is for sinners of violence. Before entering this circle Dante and Virgil have a run in with the Minotaur. Minotaur is a man-bull beast who is the guardian of the violent. The circle itself is divided into three rings. The first ring of the seventh circle is for those that have committed violence against others, such as murder. The second ring is for those having committed violence against themselves, such as a suicide. The final ring of the seventh circle of hell is for those who committed violence against God, such as blasphemy.
Ring 1: (Canto XII) After passing the Minotaur they come to a third river. Named Phlegethon, this is a boiling river of blood. The depth of the river varies at different points. The boiling river is the first ring of the seventh circle and those souls who have committed violence against their neighbor are in the water. Some are only submerged up to their ankles because of the nature of their sin, while others are completely unseen below the surface. “But fix thine eyes below; for draweth near, The river of Blood, within which boiling is Whoe’er by violence doth injure others.”
Ring 2: (Canto XIII – XIV) Dante receives assistance crossing the River of Phlegethon by a Centaur, halfman-halfhorse creature, who guides him to its lowest point. At this point, Dante and Virgil enter a forest of strange trees. The trees are oddly shaped and have black leaves and poisonous briers. Virgil tells Dante to break a branch off of a tree. When he does, it bleeds and the tree yells in pain.
The souls trapped in this second ring of the seventh circle of hell grow out of seeds into large trees. There punishment is for the sin of being violent upon themselves, for committing suicide. For this crime against their own bodies, they are denied their human forms and must take on that of a fragile tree, forever tormented by winged creatures called Harpies.
“When the exasperated soul abandons, The body whence it rent itself away, Minos consigns it to the seventh abyss. I falls into the forest, and not part, Is chosen for it; but where Fortune hurls it, There like a grain of spelt it germinates. I springs a sapling, and a forest tree; The Harpies, feeding then upon its leaves, Do pain create, and for the pain an outlet.”
Ring 3: (Cantos XIV – XVI) At the inner edge of the forest Dante comes to desert land where no plants live. For the sinner that have done violence toward God or committed blasphemy, they are punished in this third ring of the seventh circle of hell. The sand is burning and from the sky, flames constantly fall, setting the ground alight. The souls here are forced into specific position based on their sin. They keep patting at the burning ground to put out fires wherever they take hold. “O’er all the sand-waste, with a gradual fall, Were raining down dilated flakes of fire, As of the snow on Alp without a wind.”
Dante and Virgil follow a red stream of the River Phlegethon to the edge of the seventh circle of hell. This circle ends in a huge waterfall. Before departing the seventh circle of hell, Virgil explains the origins of the four rivers of hell, Acheron, Styx, Phlegethon and Cocytus. He tells him that there exists a huge statue made of various metals and clay. This statue contains cracks all around it where its tears seep to the earth. These tears are what form all of the rivers in hell.
To travel to the bottom of the waterfall, Virgil convinces a winged monster who emerged from the water. The two ride on the creature’s back as it glides down to the eighth circle of hell. The creature, Geryon, is the personification of fraud. He has the head of man, a snake’s body and a scorpion’s tail, used to infect the world. Dante rides in front so Virgil can protect him from the creatures poison tipped tail.
Eighth Circle of Hell (Cantos XVIII – XXXI)
As Dante glides down from the seventh circle of hell on the back of Geryon, he describes the eight circle of hell from his bird’s eye view. The eighth circle is called Malebolge. It is made up of ten individual valleys, all surrounded by a wall of stone and each connected by bridges. Within each of these valleys, which Dante calls Bolgias, sinners are punished depending on their sins.
Bolgia 1: (Canto XVIII) In the first bolgia of the eighth circle of hell, souls are punished for being panderers. They are naked, marching in a line while being whipped by horned demons. On the other side of a dividing stone, souls are like wise beaten as they walk in the opposite direction. These sinners are seducers. The panderers and seducers share this first bolgia of the eighth circle of hell. “This side and that, along the livid stone, Behold I horned demons with great scourges, Who cruelly were beating them behind.”
Bolgia 2: (Canto XVIII) In the second bolgia Dante hears snorting and moaning. He looks down into this bolgia and sees flatterers, smothered in human waste. They are scratching with filth covered nails and hitting themselves. “Thence we heard people, who are making moan, In the next Bolgia, snorting with their muzzles, And with their palms beating upon themselves.”
Bolgia 3: (Canto XIX) In the third Bolgia of the eighth circle, Dante finds souls buried upside down, with only their legs and feet protruding out of the ground. They are in holes that were similar in size and shape to that of baptismal bowls. Their legs are on fire. This punishment is for the simonists or those who stole from or took bribes from their parishioners and crooked religious leaders. These sinners are stacked upside down vertically on top of each other, as spikes in the ground. The newer souls push the older deeper beneath the surface. “For silver and for gold do prostitute, Now it behoves for you the trumpet sound, Because in this third Bolgia ye abide.”
Bolgia 4: (Canto XX) Astrologers, fortune-tellers, magicians and illusionist are punished in the fourth Bolgia. They all have their heads twisted around, forever taking away their ability to see in front of them. They cry as they march slowly backwards. “
Bolgia 5: (Canto XXI - XXII) The fifth Bolgia is extremely dark. The sinners held here are barrators, or crooked politicians. They are tormented by black, winged demons. These demons catch and throw them into a boiling pitch. As sinners break the surface the demons poke at them with hooks and rakes, driving them back into the boiling substance as if cooking them. “Not otherwise the cooks their scullions make, Immerse into the middle of the caldron, The meat with hooks, so that it may not float.”
Bolgia 6: (Canto XXIII) Dante and Virgil depart from the demons of the fifth Bolgia by sliding down a bank into the sixth Bolgia. The demons are not allowed to leave their realm in the fifth, which allows the pair to get away.
They are confronted with the next group of sinners. These sinners are walking in a line very slowly as exhaustion has overcome them. They are all wearing a hooded cloak that is shiny and gilded on the outside. These orange cloaks were made of heavy lead which exhausted the wearer. These sinners are the hypocrites. Those that Dante speaks with are Friars.
The sixth Bolgia of the eighth circle of hell is also home to another sinner. Dante is shocked to see a man crucified to the ground with three spikes. This man convinced the Pharisees to crucify Jesus Christ to appease the Jewish mob. This man lay across the path so that all who pass must travel over him. Others who shared this council are also punished in the same way. “These orange cloaks, Are made of leas so heavy, that the weights, Cause in this way their balances to creak.”
Bolgia 7: (Canto XXIV)The sinners sent to the seventh Bolgia of the eighth circle of hell are thieves. They are all naked and running around. Everywhere there are snakes that attack them. The snakes bound the hands of the sinners and bite at them. When a snake is able to strike a sinner, they burn into a pile of ash. But like the Phoenix, the ash forms back into the sinner’s original form for the snakes to once again attack. When they are reborn from the ashes, they are unaware of what had just happened and are again terrified of their surroundings. “Among this cruel and most dismal throng, People were running naked and affrighted. Without the hope of hold or heliotrope.”
Bolgia 8: (Canto XXVI – XXVII) From a bridge, Dante peers down into the eighth Bolgia of the eighth circle of hell and sees flames moving about. The sinners in this Bolgia are guilty of providing false counsel or fraudulent advice. For their punishment these spirits are burned deep within the flame. “Within the fires the spirits are; Each swathes himself with that wherewith he burns.”
Bolgia 9: (Canto XXVIII) Dante explains that no one has the ability to describe in words, the horror and torment which he found in the ninth Bolgia of the eighth circle of hell. If assembled, all of the dead from many wars combined, would not equal the blood and gore of the punishment met by the sinners in this
Bolgia. Each was cut in varying degrees from head to waist, head to neck or even the punishment of having to carry one’s own decapitated head like a lantern. All of these torments are found here. The sinners that are punished in such a way are disseminators of scandal and discord or caused a split between two groups. These spirits are cut by a Devil and must walk around pouring out their internals and dripping blood. Their wounds eventually heal, at which point the devil cuts them once again. “By the hair it held the head dissevered, Hung from the hand in fashion of a lantern, And that upon us gazed and said: O me!”
Bolgia 10: (Canto XXIX – XXX) Dante can hear the moans and smell the stench of the tenth Bolgia before he can see the tortured spirits that reside there. The smell of infection and pestilence fills the air. Most of the sinners here are weak from sickness. Some lie on their backs or stomachs while others crawl on the road. They tear at their skin trying to scratch the itchy patches of scabs that cover their bodies from disease. These sinners are alchemists and forgers of false metals. Also included among them are counterfeiters of currencies, perjurers and impersonators. Some of these spirits physically attack others because sickness has driven them mad. Others argue with each other as their skin smokes from the heat of their own fevers. All are extremely ill. “Everyone was plying fast the bit, Of nails upon himself, for the great rage, Of itching which no other succour had.”
Ninth Circle of Hell (Cantos XXXI –XXXIV)
In order to leave the eighth circle of hell and reach the depths of the ninth and final circle, Dante and Virgil enlist the help of a giant. From a distance, through darkness and haze, Dante mistakes hundreds of erect standing giants as towers of a city. These giants are trapped waist deep in the next pit of hell. The first that they come across is named Nimrod, who is blamed for the destruction of a single human language. Through his actions, man has been divided by languages and races.
The second giant that they encounter is named Ephialtes. He is chained with arms behind his back as punishment for challenging the gods. They pass these first two giants in their search for Antaeus, a giant who is unbound and can speak. This giant lowers them down into the ninth circle of hell.
At depths well below the feet of the giant, Dante and Virgil come to the fourth and final lake, Cocytus which is frozen to solid ice. This first ring of the ninth circle of hell is called Caina, where the sinners are locked within the ice, up to their necks. These sinners were traitors against their own family. “Livid, as far down as where shame appears, Were the disconsolate shades within the ice, Setting their teeth unto the note of storks.”
“Then I beheld a thousand faces, made Purple with cold; whence o’er me comes a shudder, And evermore will come, at frozen ponds.” They next enter the second ring of the ninth circle called Antenora. The sinners here are similarly punished however they are trapped in the ice in bent over positions. These sinners are guilty of being traitors against their country.
Dante and Virgil move further still, deeper into the center of hell. This third ring of the ninth circle is called Ptolomaea. The further into the ninth circle that they travel, the colder it has gotten. The sinners in this ring are guilty of being traitors against their guests. They are so cold that their tears have formed a visor over their eyes. Some of them have not yet even died. For this sin, their souls are dragged to hell to be punished by a demon who assumes control over their physical body on earth. “Because the earliest tears a cluster form, And, in the manner of a crystal visor, Fill all the cup beneath the eyebrow full.”
At the verge of entering into the fourth ring of the ninth circle of hell, Dante is shielded from a powerful wind by his guide Virgil. From this distance he thinks that he sees a giant windmill in the darkness of this pit of hell. This is Judecca, where the sinners are guilty of being traitors against their benefactors. Below his feet, the sinners in this ring were trapped in many positions, all completely buried beneath the surface of the ice.
As Dante nears the center of hell he can now see that the windmill is actually Lucifer himself. He is so big that he dwarfs even the giants that Dante recently passed. “The Emperor of the kingdom dolorous, From his mid-breast forth issued from the ice; And better with a giant I compare.” Lucifer has three heads, each a different color. Below each mouth there was a pair of giant wings that were cause of the powerful wind. His six eyes were dropping tears which fell to his three mouths, mixing with a bloody drivel. Within each mouth, Lucifer chewed upon a sinner. The sinner being chewed in the center mouth was Judas who betrayed Jesus. The other two sinners where Brutus and Cassius, both guilty of betraying Caesar.
With the tour of hell complete, Dante takes hold of Virgil who climes down the Devil’s body. Virgil descents down below his waist using the long hair that covers Lucifer’s body. At this point he begins to ascend in the opposite direction. He explains to Dante that since the Devil is at the center of the earth, they have moved into the southern hemisphere so they must now change directions in order to leave hell. At the end of this road and back out of hell, Dante beholds a heavenly night sky full of stars.
Thursday, June 12, 2014
Miguel Cervantes Don Quixote of La Mancha
El ingenioso hidalgo don Quijote de la Mancha
(English Translation)
- The Ingenious Gentleman Don Quixote of La Mancha
- Better
known as simply, "Don
Quixote"
In Miguel
Cervantes’ 1605 novel Don Quixote of La Mancha, the main character is overcome
be the stories and great adventures that he reads about. His love for stories
about knights encompasses most of his time as he allows work and chores to go
undone, passing hours at a time with his only focus within the pages of his
prized books. At some point his own reality is replaced by the fictional
stories that he has immersed himself in. The illustration below is the work of
Gustave Dore. It features Don Quixote surrounded by images of characters found
within the books be constantly reads.
Wednesday, June 11, 2014
Book Recommendations: Louis L'Amour Fair Blows the Wind
Sword fighting,
golden treasures, battles on the high seas, “Fair Blows the Wind”, by Louis
L’Amour contains all this and more in an action filled historical adventure.
The book’s main character, Tatton Chantry seeks to regain his family’s lost
home and land as he ventures across the world trying to make his fortune.
L’Amour is a great writer with the ability to sink the reader into this
historic world and carry them along on an exciting adventure. “Fair Blows the
Wind” is a good modern novel for those that enjoy classics as this book
maintains that type of flare.
Tuesday, May 27, 2014
Edgar Allan Poe’s “ALONE”
One specific poem
that Edgar Allan Poe wrote that very much has appealed to me is named, “Alone”.
This piece was first published in 1829 and I think that for anyone that feels
the need or passion to write fiction, this poem seems to define their inner
self. At least this has held true for myself. I have always been an introvert.
Except when writing I have always held my thoughts and feelings close to my
chest. In Poe’s Alone, he tells us that even as a child he felt that he
couldn’t fine joy in the same things that others did. But it was his
experiences, seen through his own eyes that grew into the thinking that
occupied his mind later in life. The links below will provide the full text of
this poem. It’s a very short read but definitely a good one.
Saturday, May 24, 2014
A Gift of Edgar Allan Poe's "The Raven and Other Works"
During the
holidays I received a very nice copy of Edgar Allan Poe’s “The Raven”. This
book included several other works, including “The Bells”. Since then I’ve been
on a Poe Poetry kick and I have to say that for not being a huge poetry buff,
I’m quite enjoying his work. Prior to this time I had only been acquainted with
his short stories. If you are interested in reading some of Poe’s poems, Please
check the link at "Classic Authors Page", for Poe and click on any of
the blue highlighted poem titles. I am in the process of providing all of his
poems on this site. There are many and I am about half way finished so there is
currently a nice selection of his work available on Descriptive Phrases.com.
Let me know what you think about Edgar Allan Poe’s poetry or any of his other
work. I will publish any comments. Thanks for taking the time to view my site.
Monday, May 19, 2014
Summary of ERICH MARIA REMARQUE's - All Quiet on the Western Front
“All Quiet on the
Western Front”, written in 1928 by Erich M. Remarque is about the
transformation of a young German teenager into a soldier. The story is told
from the perspective of the main character, Paul Baumer as he tries to survive
World War I. The reader is introduced to several of Paul’s close friends whom
he fights alongside with, some of which he’s known most of his life. This is a
very telling story of the experiences that faced soldiers of this error, and of
war itself. This story, although a work of fiction was so powerful as an
argument against war that it became one of the books that was burned during
Hitler’s Third Reich. It was thought to give negative ideas about war and
depicted the German solider as capable of fear in battle.
Paul Baumer
joined the German army at age eighteen along with his entire class because of
the persuasion of their school master, Kantorek, a man who never fought
himself. Any that refused to join faced criticism from family and friends; even
their parents would call them cowards, in the end all of his classmates joined.
The stories of the great German soldier and the propaganda promoting the war
failed to meet the reality of the battlefield. Paul
reflects that, “we were eighteen and had begun to love life and the world; we
had to shoot it to pieces.”
Paul is separated
from most of his classmates as they are divided up among the platoons. He,
along with several others enter a platoon known to be the toughest. This
platoon is run by Corporal Himmelstoss who never fought on the battlefield. The
Corporal immediately took a dislike of Paul and his friends and spent his time
making their lives as difficult as he could, continually seeking to give them
punishment.
The young men’s
trials of survival begin almost at the very beginning of their army experience
when dealing with their platoon leader. Himmelstoss’ lack of war experience
becomes more reason for difficulties between himself and these young soldiers
as they become more experienced at battlefield. Paul becomes aware of the great
differences between those that fight and those that have not.
One night the
soldiers wait along a darkened path which Corporal Himmelstoss frequents when
traveling home after leaving a pub. They ambushed him, cover him in a sheet and
take turns beating him. Later in the story, Himmelstoss is eventually seen,
cowering in a trench pretending to be injured. Following this first time on the
battlefield, the next day he gets himself reassigned to as the cook. Himmelstoss
now has a new view of the young soldiers
who have survived day after day of battle. He gives them gifts of officer’s
food out of what seems like respect.
Throughout this
tragic tale, the young men share in everything. The war has transformed their
lives in every facet, changing boys to men under the shadow of a world at war.
They changed from the very first bombardment that they experienced. They have
become scavengers, constantly searching for food, cigarettes and equipment.
Where they were once embarrassed to use open latrines in basic training they
now convene outside in a circle, squatting over holes.
Each group of
experienced solders has one man among them that seems to have a sixth sense
which for Paul’s group is Stanislaus Katczinsky. Katczinsky, at 40 years old is
the leader of this small group. Whether it is finding supplies or knowing how
to cook a found meal such as a live goose or horse flesh, it is believed that
they wouldn’t have survived as long as they did without him.
The reader enters the novel during a meal
at an army soup kitchen, following several days of fighting on the frontline.
Immediately the reader gains an understanding of the great loss of lives that
the soldiers have seen as few are alive to attend the meal.
Paul and several
of his friends go to a field hospital to meet another soldier that they knew
from home. Doctors have already amputated this young man’s leg, but the men
know from experience that he will soon be dead from infection anyway. Much like
the lies told at home, they assure their friend that he will be sent home,
because of his injury the war is over for him. During their visit, one of
Paul’s friends asks to keep the amputated soldier’s boots, knowing that once he
dies, all of his possessions will be picked through by the hospital staff. The
boots, like the food and all supplies, including medicines are hard to find.
They end up offering a hospital orderly several cigarettes in order to secure
him a shot of morphine to stop his suffering for a short while. The pain killer
was normally reserved only for officers because of the lack of supply.
Paul waits with
the dying man as trains arrive to take the injured to hospitals away from the
front, but they leave him behind. The reader gains an understanding that they
are just avoiding him until he finally dies. Paul watches as he wakes in a
crying fit before death takes him. In
addition to the mass deaths of the battlefield, many injures end in death from
the unsanitary conditions of the field hospitals and lack of medical supplies.
Paul describes having to breath an “atmosphere of carbolic and gangrene” inside
of the hospital. Following his death the staff is quick to remove him because
they have been waiting for his bed.
Most striking in
this novel is what happens at the frontline. The groups of young soldiers move
closer and closer to the front, they extinguish their cigarettes so they can’t
be seen in the night. They walk through the smoky and tainted air left from
their own artillery guns. Out ahead they can hear the roar and boom of explosions from the
guns firing behind them. In front, the horizon glows red with returning fire
from the enemy. Fear seizes the new recruits, but those that are more
experienced focus on survival. Paul describes the front as Paul describes the
front as a “mysterious whirlpool with a vortex sucking me into itself”.
They sleep in
holes, sometimes while bombs fall around them. The must wake to fight off rats
who seek their food. The rats are fat from the meat of the dead. They have even
attacked and ate other, larger animals found in the trenches.
The soldiers know the
sound of each incoming bomb. They know in advance whether it will fall short,
pass by them or if they should take cover. They know from experience when the
munitions carry a gas canister and they have to hold their breath and don a gas
mask. The young men have become soldiers. They developed an ability to survive.
The new recruits lack this instinct; many die in their first bombardment. Those
that have lived through this over and
over feel somewhat jealous of a recruit dying quickly, because they don’t have
to become accustomed to war.
As their own
lines are constantly sent to the front and repeatedly beaten back, the enemy’s
artillery becomes stronger. They can feel the strengthening of their forces.
The army of the enemy comes close enough to see the features of their face.
Body parts can be seen being ripped apart. Paul explains, “We do not fight, we
defend ourselves against annihilation.” The enemy retreats and they pursue. The
battle is back and forth through the trenches and craters.
They watch as new recruits, with zero
knowledge of how to survive the battlefield, fill vacancies among the ranks.
Throughout the fighting, new recruits snap. The experienced soldiers keep an
eye on them, but at intervals they go mad. As one’s nerves shatter, his screams
and attempt to escape sets off others to follow. The fear seizes the new
recruits, but those that are more experienced focus on survival.
During one
bombardment a horse farm is hit. The horses run in all directions. Those that
are injured cry out, hidden in the thick clouds of the battle. The dead men all
around them, body parts scattered about, the constant threat of bombs and gun
fire, all of this is endured by the soldiers. But the groans of injured horses
are unbearable. The soldiers hide in craters and cover their ears, but it is
still too much for them to endure. The men take aim and kill
them to stop the screams of pain.
Paul is given
seventeen days of leave, after which he is to report to a training camp. He has
trouble coping with home. He hates what he sees as fake kindness shown to a
soldier by civilians, knowing that they aren’t helping those on the
battlefield, but are just being kind to make themselves feel good. At home he
is asked by his sickly mother how it’s been, but he can’t answer her. Paul
doesn’t know how to answer, she would never understand. He could
never tell her about the things he’s seen. He’s infuriated with those that
haven’t been through what he has. None of them understand. Being around the civilians,
he realizes how much his live has changed.
Paul Baumer left
his home with a desire to serve his county honorably. After returning during a
break, he is troubled by the idea that those at home are misinformed and
mistaken about the war. Paul believes that the war will end in a loss for
Germany. In fact, he can see from each battle that they have already lost. His
family and neighbors far removed from the frontlines only know what the German
government tells them, none of which seems accurate.
Further, they don’t seem to understand the realities of war and the real losses
being inflicted on Germany’s young soldiers. They can’t imagine that the German
army may actually lose. Paul allows the lies to remain in his family’s minds.
His own mind remains on the safety of his friends that he left behind on the
battlefield.
While at home he
feels impelled to see the mother of the young man that he watched die at the
hospital. She wants to know how if her son is dead, why Paul survived. He lies
and swears that her son died instantly and didn’t feel any pain.
At the training
base he runs into trouble because he doesn’t salute a passing officer. Near the
training base is a Russian prison camp. The prisoners spend their days digging
through the soldiers’ trash looking for anything to eat. Most of the soldiers
ignore the prisoners; Paul can’t help but stare at them while on duty as a
guard. They are the enemy he fought in the field, but look nothing like it
here. Before going back to the frontlines, Paul
finds out that is mother has cancer and they are worried about the cost for her
treatment.
Upon his return
to the front, Paul searches for his friends. When he does find them he shares
the food brought from home. He has returned in time for an inspection. For days
they drill and polish their uniforms as if there is not war at all. They
question what they are fighting for and for further, what their enemies are
fighting for. They wonder who could be benefitting from the war as it was certainly
not those that had to fight it, on either side.
The battles flow
back and forth between attack and retreat as the dead fill the same craters
that they hide in. The men that don’t die right away but waste away slowly far
from any medical help, scream day and night until they fall unconscious or die.
One such sole who screams for help for days is searched for several times but
his voice seems to travel and he can’t be found. The screams are accompanied by
the sound of the decomposing of bloated bodies. The days pass alternating from
attack and retreat. The down time is filled by repairing trenches and the
constant replacement of recruits to fill the ranks.
Feeling that he
owes his the platoon because of his leave, Paul volunteers to scout the
strength of enemy positions. He is taken by surprise by a falling bomb and is
disoriented. He has lost something needed form survival during his visit at
home but is renewed when hearing the voices of his friends behind him. Paul
pushes further on, crawling from hole to hole. He eventually gets lost and
can’t determine which direction he is heading in. As he realizes this, an
attack begins. Enemy troops pass over him as he lies in a water filled crater.
While lying and
waiting for the bombs to stop another body falls on him. Paul stabs the man in
the dark. Machine gun fire is spraying just above ground level, he’s stuck. As
light begins to fill the crater, he tends to the dying man. They wait together
for hours as the man slowly bleeds to death. Paul thinks about the man he
killed with his own hands. He thinks about what he would have been doing
tomorrow, and about his family and the future that he took away from him. After
the man finally dies, Paul apologizes.
Days go by
without being able to leave the crater that he now shares with the man he
killed. Paul didn’t bring any food or water with him. He is finally able to
leave the hole but now fears that his own men may shoot at him as he tries to
return. Instead his friends find him with a stretcher in hand.
Following this
latest trip to the front, they are all reassigned to protect a supply dump.
They find makeshift furnishings and food.
The smoke from their cooking is seen by the enemy and bombing on the town
begins. They remain for days relaxing as bombs tear the small town apart around
them. Before long they receive more orders sending them to evacuate another
village. Paul and one of his friends are injured during this mission and sent
to a field hospital. They are told that they will be going home because of
their injuries.
The two soldiers
are sent to a hospital away from the front for recovery. Here they are again
surrounding by dying soldiers. The hospital place patients that they know are
going to die in one particular room that becomes known as the dying room. The
dying soldiers come in so rapidly that this reserved room isn’t large enough to
contain them all.
Paul is operated
on and is sick for several days afterward. While recovering from surgery he
sees more deaths and new patients arrive. The doctor seems to be finding things
to operate on beyond the injuries that the soldiers are there for. He is
experimenting on the wounded soldiers. Paul recovers enough to move on his own
and sneak around the hospital. He finds that on other floors the injuries are
even worse. He begins to realize the extent of the pain and death that the war
is having on the world. Paul is finally given leave to return home where he
finds his mother is much sicker than when he last left.
He once again
returns to the frontline. The battle is still fought by attack and counter
attack, back and forth. The trenches have been ripped apart and are almost non-existent.
Pockets of fighting continue as the front crumbles. Paul’s group is surrounded
in a number of attacks and has to bury another of their friends. They are
tired, starving and running out of supplies. They are supported by new recruits
that don’t know how to fight, only how to die. They have given up all hope.
Armored tanks now join the fighting effectively for the first time in history.
Paul’s friends
die or are injured one by one as the fighting continues. The German soldiers
all know that they are losing. They hear rumors of a possible peace. They are
overrun by allied aircraft all around them, yet the fighting continues. Paul
carries a dying Katczinsky to safety but is too late, he is dead. Still the
talk of peace is spread but the fighting continues. Paul knows that the war
will soon end and he’ll be going home. He never makes it; he is killed before
peace is agreed.
Thursday, May 15, 2014
Summary of Edgar Allan Poe’s “Eulalie” – A Song
This lonely man lived alone deep in depression.
Even his soul remained unmoved, until he married a woman named Eulalie.
His blond haired bride brought happiness to his life withher smile.
Even her eyes shone brighter than the stars in the night sky.
A snow flake created by nature cannot compare to the beauty and uniqueness of even a strand of hair or the most unkept curl on her head.
With her in his life, he never feels doubt and never experiences pain anymore.
In marriage their souls have become one.
Every day begins bright and sunny for as long as Eulalie lives on.
Even his soul remained unmoved, until he married a woman named Eulalie.
His blond haired bride brought happiness to his life withher smile.
Even her eyes shone brighter than the stars in the night sky.
A snow flake created by nature cannot compare to the beauty and uniqueness of even a strand of hair or the most unkept curl on her head.
With her in his life, he never feels doubt and never experiences pain anymore.
In marriage their souls have become one.
Every day begins bright and sunny for as long as Eulalie lives on.
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